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John Steinbeck’s ‘Of Mice and Men’, eighty years on

 

 

Reviewed by Barry Healy

 

Of Mice and Men
By John Steinbeck
Penguin, 1993 (first published 1937), $8.95

 

September 23, 2017
— Links International Journal of Socialist Renewal This year marks the 80th anniversary of Steinbeck’s novel Of Mice and Men. At less than 200 pages it carries enormous force as a mythic account of alienation under US capitalism.

 

Part of its power comes from the simplicity of its prose. Shorn of excess it points the reader towards the meaning hidden beneath the mundane world of work, which Steinbeck contrasts to the beauty of nature.

 

He displays an intimacy with the Californian countryside which is his setting. On Google Earth you can actually see what the novella’s opening lines describe. The Salinas River “drops in close to the hillside bank and runs deep and green”, a few miles “south of Soledad.”

 

The story is of lonesome labourers, reeling from the Great Depression, wandering from farm to farm seeking respite from their endless oppression. Steinbeck raises their seemingly petty, mouse-like misfortunes to the level of epic allegory.

 

And so it is at the place where the river of time bends and pools, south of Soledad (Spanish for “solitude”) that we meet George Milton and Lennie Small. Lennie is a gentle giant beset by a mental disability living under the care of George, who occasionally prickles against the responsibility.

 

They are on the run from a crime of Lennie’s and headed for a further round of alienating toil at yet another farm. At the conclusion, Steinbeck leaves the reader at the same place after another terrible crime.

 

The farm where they find work is nameless and only vaguely situated, making it emblematic of all US workplaces. Anonymity is one of Steinbeck’s techniques for elevating the story into the symbolic.

 

All the farm characters represent various types within US working culture.

 

There is the nameless boss whose relationship to the workers is summarised by his dress boots – indicating that he does no real work. His son, Curley, is a petty thug who builds his self-image by beating up people weaker than himself.

 

Curley’s wife, again nameless, symbolises the limited life choices of white women of the time. Socially denied the right to enjoy her sexuality, she uses a loveless marriage to the rich man’s son to gain economic security. Her only avenue for empowerment is the ruse of flirting with the ranch hands in order to manipulate her stupid husband.

 

The other workers demonstrate the various levels of social hierarchy in the working class. Slim is the “prince of the ranch” because of his skill and ability to lead the other workers. Carlson manoeuvres to demonstrate power by bullying the aged cleaner, Candy.

 

Candy’s looming fate summarises the future for all the workers. Nearing the end of his usefulness he knows that soon the boss will put him “on the county” – tossed aside to die miserable and alone in poverty. Candy’s faithful old dog, which is killed by Carlson, demonstrates what value all their lives have for capitalism.

 

At the bottom of the social heap is the man who lives next to the manure pile, the Black worker, Crooks. When Steinbeck takes us into his living quarters we find that he has a well-thumbed edition of a law text next to his bed. Crooks is the best educated person on the farm, yet because of racism lives the most precarious life.

 

At one point Curley’s wife, in one of the most savage parts of the text, turns on Crooks when he speaks to her as an equal. She reminds him that with just a word she can have him strung up.

 

As a white woman she has the ability to falsely accuse him of sexually molesting her and have him lynched. The dangerous sexual ambivalence embedded in US racism flashes through this moment.

 

Thus all the oppressed keep themselves divided, trying to gain some scrap of self-worth by putting each other down. Yet George and Lennie have a secret that cuts through this fog of alienation and with just a few words inspire the spirit of the workers.

 

Their dream is to buy their own farm and, through sharing the labour, create a decent life for themselves. As Lennie naively blurts his dream out, the individual workers’ initial scepticism falls away as they dare to imagine themselves as part of it.

 

George and Lenny’s dream is a synonym for socialism and its power is subversive in the farm.

 

Lennie demonstrates something else, as well. Like the workhorse character Hercules in George Orwell’s Animal Farm (another allegory of power situated on a farm), Lennie contains within him the awesome power of the working class.

 

Only once does he demonstrate this, when George authorises him to defeat the bully Curley. Lennie crushes the fist of the oppressor in the palm of his hand, showing just what would be possible if the workers chose to use their clout.

 

However, Steinbeck chooses a tragic ending for the novella.

 

Returning to the river as a symbol of the circle of life, Lennie dies, put down like Candy’s dog. Only George and the wise worker Slim know the truth of his death and the bystanders wonder why they seem to have suddenly bonded.

 

Steinbeck leaves us at this point, but a moot question remains. Will George and Slim, as the wisest of the workers, rekindle the dream and lead the workers away from their painful isolation “south of Soledad” to freedom?

 

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