Donate to Links
Click on Links masthead to clear previous query from search box
- Don, good article but few
2 days 5 hours ago
- women are fighters
4 days 3 hours ago
- Obama said that isolation
4 days 17 hours ago
- Viva Cuba! Partido Lakas Ng Masa statement
4 days 19 hours ago
6 days 6 hours ago
- Namibia: Contradictions of the 2014 elections
1 week 3 days ago
- Communist States: In transition to what?
2 weeks 3 days ago
- CUBA, INTERNATIONAL MEDICAL AID & THE BLOCKADE
2 weeks 4 days ago
- Pro-ANC scab union formed?
2 weeks 5 days ago
- Socialist Angela Walker Wins 20% in Milwaukee Sheriff Race
3 weeks 12 hours ago
Olympics 1968: Black Power Salute
At the 1968 Mexico City Olympic Games the enduring image was Tommie Smith and John Carlos, African-American athletes, raising their gloved clenched fists in support of the Black Power movement during the ``Star Spangled Banner''. They were subsequently banned from the games for life. Black Power Salute looks at what inspired them to make their protest, and what happened to them after the Games. Featuring Tommie Smith, Lee Evans, Bob Beamon and Delroy Lindo. Click HERE for parts 2-6.
Also read about Peter Norman, the Australian athlete who gained third place, who supported Smith's and Carlos' protest. Norman is the subject of a new documentary, Salute, which can be previewed here.
Brother of the fist: Peter Norman
By Dave Zirin
It's 1968, and 200-metre gold medalist Tommie Smith stands next to bronze winner John Carlos, their raised black-gloved fists smashing the sky on the medal stand in Mexico City. They were Trojan Horses of Rage — bringing the Black revolution into that citadel of propriety and hypocrisy: the Olympic Games. When people see that image, their eyes are drawn like magnets toward Smith and Carlos, standing in black socks, their heads bowed in controlled concentration. Less noticed is the silver medalist. He is hardly mentioned in official retrospectives, and people assume him to be a Forrest Gump-type figure, just another of those unwitting witnesses to history who always end up in the back of famous frames. Only the perceptive notice that this seemingly anonymous individual is wearing a rather large button emblazoned with the letters O-P-H-R, standing for the Olympic Project for Human Rights.