sport
Pele leaves us but his magic will never die
Russia World Cup 2018: Lukaku, Mbappé and the colonial ghosts within Belgium and France
Muhammad Ali – the athlete-activist whose example lives on
Mike Marqusee: A level playing field? Global sport in the neoliberal age
The idea of sports competition as a mirror or metap
Another Olympics is possible: the socialist sports movements of the past
For more discussion of issues surrounding sport and politics, click HERE. For more on the Olympics, click HERE.
August 7, 2012 -- As Mike Marqusee points out in an article posted at Links International Journal of Socialist Renewal, the modern Olympic Games are "a symbolic package: individual excellence at the service of the nation-state under the overlordship of multinational capital". Today, the domination of most sport by the capitalist corporations, crude nationalism and dog-eat-dog ideology is almost complete, occasionally challenged by the actions a few principled groups and individuals. But that was not always the case.
In fact, in the early decades of the 20th century, there were mass socialist-inspired workers' sports movements that sought, to varying degrees, to challenge capitalist control and ideology in sport. The goal was to organise working-class people through sport and leisure, and in some cases to attempt to fashion a new conception of sport.
"The Tommie Smith/John Carlos 'black power' salute of 1968 – two medal winners overturning the symbolism, refusing to let their individual excellence serve the forces that degraded them and their people."
For more discussion of issues surrounding sport and politics, click HERE. For more on the Olympics, click HERE.
By Mike Marqusee, London
August 4, 2012 -- Mike Marqusee.com, posted at Links International Journal of Socialist Renewal with permission -- I enjoyed my afternoon at the Olympics, sitting in my public lottery assigned £50 seat at the ExCel, with a fine view of the men’s boxing. And I enjoyed it not least because I was finally able to watch the sport itself without the surrounding hype, the layers of commentary. For a moment there was only that pleasure special to sport: the spontaneity of a story being fashioned in front of your own eyes, once and once only (despite digital repeats), robustly itself and not pretending to be anything else.